The Longest Leg 2019-2021 used an anecdote of witnessed sexual harassment as a framework to explore relationships of power through vision. The works mimic the strategies for displacing vision on the part of the harasser (using a camera in place of sight, recording instead of touching, releasing the video to the internet instead of a live humiliation), while also reflecting on the involvement of the witness as a participant in the assault. This work was most recently exhibited in Fuller Rosen Gallery in Portland, OR, curated by Laurel V. McLaughlin.
The Longest Leg 2019-2021 used an anecdote of witnessed sexual harassment as a framework to explore relationships of power through vision. The works mimic the strategies for displacing vision on the part of the harasser (using a camera in place of sight, recording instead of touching, releasing the video to the internet instead of a live humiliation), while also reflecting on the involvement of the witness as a participant in the assault. This work was most recently exhibited in Fuller Rosen Gallery in Portland, OR, curated by Laurel V. McLaughlin.