The Longest Leg, exhibition view.
The Longest Leg, exhibition view.
Uniform, 2019. Tartan skirt with monitor.
Uniform, 2019. Tartan skirt with monitor.
Uniform, 2019. Tartan skirt with monitor. Detail. https://vimeo.com/355421368
Tall Roof, 2019. Terracotta shingles, steel. 30” x 18” x 75”
Tall Roof, 2019. Detail.
The Mule, 2019. Monitor, table, steel mount. https://vimeo.com/355421738
Bus Triangle, 2019. Monitor, steel. https://vimeo.com/355421561
Leg Loop, 2019.https://vimeo.com/355421191
Leg Loop, 2019. Detail.
Caryatid, 2021. Polyester fabric, metal.15" x 15" x 96"
Caryatid, 2021. Detail.
Grid 1: Red, green and black, 2021, Ink on paper, 24 x 19 in.
Grid 2: Burgundy, Green and Yellow 2021, Ink on paper, 24 x 19 in.
Grid 3: Navy blue, Green and Yellow 2021, Ink on paper, 24 x 19 in.
Grid 1: Red, green and black
Grid 2: Burgundy, Green and Yellow, detail.
The Longest Leg 2019-2021 used an anecdote of witnessed sexual harassment as a framework to explore relationships of power through vision. The works mimic the strategies for displacing vision on the part of the harasser (using a camera in place of sight, recording instead of touching, releasing the video to the internet instead of a live humiliation), while also reflecting on the involvement of the witness as a participant in the assault. This work was most recently exhibited in Fuller Rosen Gallery in Portland, OR, curated by Laurel V. McLaughlin.